{"id":5900,"date":"2025-06-16T17:02:31","date_gmt":"2025-06-16T15:02:31","guid":{"rendered":"https:\/\/upstructure.cz\/?post_type=podcast&p=5900"},"modified":"2026-01-29T16:48:53","modified_gmt":"2026-01-29T15:48:53","slug":"abstrakt-podcast-epizoda-2","status":"publish","type":"podcast","link":"https:\/\/upstructure.cz\/en\/podcast\/abstrakt-podcast-epizoda-2\/","title":{"rendered":"#2 CENZURA UM\u011aN\u00cd V ULIC\u00cdCH"},"content":{"rendered":"
\"\"<\/figure>\n\n\n\n

Episode content:<\/h4>\n\n\n\n

Cenzura um\u011bn\u00ed v ulic\u00edch otev\u00edr\u00e1 t\u00e9mata, kter\u00e1 propojuj\u00ed m\u011bsto, ve\u0159ejn\u00fd prostor a architekturu s kulturn\u00ed identitou. Pavel Karous p\u0159in\u00e1\u0161\u00ed zku\u0161enosti ze sv\u00e9 dlouholet\u00e9 pr\u00e1ce se socha\u0159sk\u00fdmi intervencemi a zkoum\u00e1, jak se jednotliv\u00e9 formy um\u011bn\u00ed uplat\u0148uj\u00ed v sou\u010dasn\u00fdch m\u011bstsk\u00fdch struktur\u00e1ch. Rozhovor ukazuje, \u017ee ve\u0159ejn\u00e9 um\u011bn\u00ed nevznik\u00e1 izolovan\u011b, ale reaguje na historick\u00e9, politick\u00e9 i ekonomick\u00e9 podm\u00ednky. Ka\u017ed\u00e9 d\u00edlo vstupuje do prost\u0159ed\u00ed, kter\u00e9 formuje jeho \u010dten\u00ed, funkci a p\u0159ijet\u00ed.<\/p>\n\n\n\n

Mnoho lid\u00ed vn\u00edm\u00e1 d\u00edla vznikl\u00e1 za minul\u00e9ho re\u017eimu se skepticismem. Tato reakce vych\u00e1z\u00ed z ideologick\u00fdch souvislost\u00ed, kter\u00e9 obklopovaly tehdej\u0161\u00ed tvorbu. Karous vysv\u011btluje, \u017ee tato vrstva nezmizela a st\u00e1le ovliv\u0148uje zp\u016fsob, jak\u00fdm m\u011bsta p\u0159istupuj\u00ed k obnov\u011b nebo ochran\u011b star\u0161\u00edch instalac\u00ed. Diskuse ukazuje, \u017ee nejen estetick\u00e1 kvalita rozhoduje o budoucnosti d\u00edla, ale tak\u00e9 jeho kontext a v\u00fdznam pro m\u00edstn\u00ed komunitu.<\/p>\n\n\n\n

Sou\u010dasn\u00e1 v\u00fdstavba p\u0159in\u00e1\u0161\u00ed nov\u00e9 p\u0159\u00edle\u017eitosti i nap\u011bt\u00ed. Developersk\u00e9 projekty hledaj\u00ed zp\u016fsoby, jak zapojit um\u011bn\u00ed do ve\u0159ejn\u00e9ho prostoru. N\u011bkter\u00e9 projekty ch\u00e1pou um\u011bn\u00ed jako sou\u010d\u00e1st architektonick\u00e9ho \u0159e\u0161en\u00ed, jin\u00e9 vn\u00edmaj\u00ed d\u00edla jen jako dopln\u011bk. Karous popisuje situace, kdy autor spolupracuje s architekty, aby spole\u010dn\u011b vytvo\u0159ili jednotn\u00fd koncept, kter\u00fd respektuje funk\u010dn\u00ed i estetick\u00e9 po\u017eadavky. Takov\u00fd proces vy\u017eaduje jasnou komunikaci mezi v\u0161emi profesemi, proto\u017ee ka\u017ed\u00e1 zm\u011bna ovliv\u0148uje provozn\u00ed i konstruk\u010dn\u00ed n\u00e1roky prostoru.<\/p>\n\n\n\n

\u0158ada m\u011bst dnes usiluje o vy\u0161\u0161\u00ed kvalitu ve\u0159ejn\u00e9ho prostoru. Um\u011bn\u00ed umo\u017e\u0148uje doplnit charakter m\u00edsta a vytv\u00e1\u0159\u00ed orienta\u010dn\u00ed body, kter\u00e9 podporuj\u00ed identitu \u010dtvrti. Karous upozor\u0148uje, \u017ee m\u011bsta \u010dasto hodnot\u00ed d\u00edla pouze podle moment\u00e1ln\u00edho vkusu, a proto n\u011bkdy doch\u00e1z\u00ed k odstra\u0148ov\u00e1n\u00ed instalac\u00ed, kter\u00e9 maj\u00ed v\u00fdznam pro celou generaci obyvatel. Tento trend otev\u00edr\u00e1 ot\u00e1zku, jak nastavit stabiln\u00ed strategii pro spr\u00e1vu a obnovu um\u011bleck\u00fdch prvk\u016f.<\/p>\n\n\n\n

Rozhovor ukazuje, \u017ee um\u011bn\u00ed ve ve\u0159ejn\u00e9m prostoru stoj\u00ed na rovnov\u00e1ze mezi architekturou, pam\u011bt\u00ed a sou\u010dasn\u00fdmi pot\u0159ebami m\u011bsta. Karous zd\u016fraz\u0148uje, \u017ee kvalitn\u00ed d\u00edlo podporuje lidsk\u00e9 vn\u00edm\u00e1n\u00ed prostoru, vytv\u00e1\u0159\u00ed nap\u011bt\u00ed mezi minulost\u00ed a sou\u010dasnost\u00ed a p\u0159in\u00e1\u0161\u00ed dal\u0161\u00ed vrstvu pro pochopen\u00ed m\u011bstsk\u00e9 struktury. S\u00e9rie t\u00e9mat p\u0159in\u00e1\u0161\u00ed hlub\u0161\u00ed porozum\u011bn\u00ed tomu, pro\u010d ve\u0159ejn\u00e1 d\u00edla st\u00e1le vyvol\u00e1vaj\u00ed siln\u00e9 reakce a pro\u010d jejich hodnota nekon\u010d\u00ed u vizu\u00e1ln\u00ed str\u00e1nky.<\/p>\n\n\n\n

\n
SPOTIFY<\/a><\/div>\n\n\n\n
YOUTUBE<\/a><\/div>\n\n\n\n
APPPLE PODCASTS<\/a><\/div>\n\n\n\n
RSS<\/a><\/div>\n<\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Obsah epizody: Cenzura um\u011bn\u00ed v ulic\u00edch otev\u00edr\u00e1 t\u00e9mata, kter\u00e1 propojuj\u00ed m\u011bsto, ve\u0159ejn\u00fd prostor a architekturu s kulturn\u00ed identitou. Pavel Karous p\u0159in\u00e1\u0161\u00ed zku\u0161enosti ze sv\u00e9 dlouholet\u00e9 pr\u00e1ce se socha\u0159sk\u00fdmi intervencemi a zkoum\u00e1, jak se jednotliv\u00e9 formy um\u011bn\u00ed uplat\u0148uj\u00ed v sou\u010dasn\u00fdch m\u011bstsk\u00fdch struktur\u00e1ch. Rozhovor ukazuje, \u017ee ve\u0159ejn\u00e9 um\u011bn\u00ed nevznik\u00e1 izolovan\u011b, ale reaguje na historick\u00e9, politick\u00e9 i ekonomick\u00e9 […]<\/p>\n","protected":false},"author":239123151,"featured_media":5781,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"episode_type":"audio","audio_file":"https:\/\/upstructure.cz\/wp-content\/uploads\/2025\/06\/ABSTRAKT_02_PAVEL_KAROUS.mp3","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"https:\/\/upstructure.cz\/wp-content\/uploads\/2025\/05\/02_Titulka_spotify.jpg","cover_image_id":"5781","duration":"1:01:13","filesize":"57 kB","filesize_raw":"","date_recorded":"2025-06-16 17:02:31","explicit":"","block":""},"tags":[97593,97610,97730,97729,97611,97614,97604,97607,97608,97606,97731,97616,97609,97617,97605],"series":[97586],"class_list":["post-5900","podcast","type-podcast","status-publish","has-post-thumbnail","hentry","tag-architektura","tag-developerske-projekty","tag-identita-mesta","tag-mestska-kultura","tag-mestske-prostredi","tag-pamatky-socialismu","tag-pavel-karous","tag-socharstvi","tag-street-art","tag-umeni-ve-meste","tag-umeni-ve-verejnem-prostoru","tag-urbanismus","tag-verejna-plastika","tag-verejne-prostranstvi","tag-verejny-prostor","series-abstrakt"],"episode_featured_image":"https:\/\/upstructure.cz\/wp-content\/uploads\/2025\/05\/02_Titulka_spotify.jpg","episode_player_image":"https:\/\/i0.wp.com\/upstructure.cz\/wp-content\/uploads\/2025\/05\/02_Titulka_spotify.jpg?fit=920%2C920&ssl=1","download_link":"https:\/\/upstructure.cz\/podcast-download\/5900\/abstrakt-podcast-epizoda-2","player_link":"https:\/\/upstructure.cz\/podcast-player\/5900\/abstrakt-podcast-epizoda-2","audio_player":null,"episode_data":{"playerMode":"dark","subscribeUrls":{"apple_podcasts":{"key":"apple_podcasts","url":"https:\/\/podcasts.apple.com\/us\/podcast\/abstrakt\/id1815945961","label":"Apple Podcasts","class":"apple_podcasts","icon":"apple-podcasts.png"},"stitcher":{"key":"stitcher","url":"","label":"Stitcher","class":"stitcher","icon":"stitcher.png"},"google_podcasts":{"key":"google_podcasts","url":"","label":"Google Podcasts","class":"google_podcasts","icon":"google-podcasts.png"},"spotify":{"key":"spotify","url":"https:\/\/open.spotify.com\/show\/6E0C5Y5dB3WDVxqAybt4m5","label":"Spotify","class":"spotify","icon":"spotify.png"}},"rssFeedUrl":"https:\/\/upstructure.cz\/en\/feed\/podcast\/abstrakt","embedCode":"

#2 CENZURA UM\u011aN\u00cd V ULIC\u00cdCH<\/a><\/blockquote>